翻訳と辞書
Words near each other
・ SmileTV
・ Smileuma
・ Smilevo
・ Smilewound
・ Smiley
・ Smiley (1956 film)
・ Smiley (2012 film)
・ Smiley (alligator)
・ Smiley (disambiguation)
・ Smiley (musician)
・ Smiley (name)
・ Smiley (singer)
・ Smiley baronets
・ Smiley Bates
・ Smiley Burnette
Smiley Culture
・ Smiley Face (disambiguation)
・ Smiley Face (film)
・ Smiley face curve
・ Smiley Face Killer
・ Smiley face murder theory
・ Smiley Faces
・ Smiley Gets a Gun
・ Smiley Guy Studios
・ Smiley Lewis
・ Smiley Park Historic District
・ Smiley Quick
・ Smiley Smile
・ Smiley Township, Pennington County, Minnesota
・ Smiley v. Citibank (South Dakota), N. A.


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Smiley Culture : ウィキペディア英語版
Smiley Culture

David Victor Emmanuel (10 February 1963 – 15 March 2011),〔 better known as Smiley Culture, was a British reggae singer and DJ known for his 'fast chat' style. During a relatively brief period of fame and success, he produced two of the most critically acclaimed reggae singles of the 1980s.〔() 〕 He died on 15 March 2011, aged 48, during a police raid on his home. An inquest found that his death was a suicide.
==Biography==
Emmanuel was raised in Stockwell, south London, was a son of a Jamaican father and Guyanese mother.〔Simpson, Dave (2011) "(Smiley Culture obituary )", ''The Guardian'', 15 March 2011, retrieved 16 March 2011〕〔Larkin, Colin (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, ISBN 0-7535-0242-9, p. 276〕 He was educated at Tulse Hill School. His 'Smiley' nickname was gained due to his method of chatting up girls at school – he would ask them for a smile.〔 Prior to his recording career he worked as a DJ with many of London's reggae sound systems, most often with the Saxon Studio International system, where he met and worked with a number of other reggae artists, including Maxi Priest, Papa Levi and Tippa Irie.〔〔O'Hagan, Sean (1985) "1st Offender", ''NME'', 2 February 1985, p. 10-11〕

Signed to the London based reggae record label Fashion Records, his first single "Cockney Translation" (1984) was a Jamaican's guide to the East End dialect – '"Cockneys have names like Terry, Arfur and Del Boy/We have names like Winston, Lloyd and Leroy". The song mixed cockney dialect with London's version of Jamaican patois, translating between the two.〔Hewitt, Roger: "Language, Youth and the Destabilisation of Ethnicity" (1992), in Harris, Roxy & Rampton, Ben (2003) ''The Language, Ethnicity and Race Reader'', Routledge, ISBN 978-0-415-27602-3, p. 194〕〔Zuberi, Nabeel (2001) ''Sounds English: Transnational Popular Music'', University of Illinois Press, ISBN 978-0-252-02620-1, p. 135〕 Simon Reynolds has often cited this song in his writings, arguing that it presaged the creation of a new hybrid accent in which white East Londoners would adopt many terms of black origin. The song's lyric was later used in schools as an example of how immigration has affected the English language.〔 Smiley Culture popularised the 'fast chat' style of deejaying that had originated with Jamaican deejays such as Ranking Joe, and was developed further by British toasters, particularly those on the Saxon sound system such as Peter King.〔Barrow, Steve & Dalton, Peter (2004) ''The Rough Guide to Reggae, 3rd edn.'', Rough Guides, ISBN 1-84353-329-4, p. 401〕
Emmanuel had chart success with his next single, "Police Officer", released towards the end of 1984. This was the supposedly autobiographical tale of how Emmanuel was arrested for the possession of cannabis, but then let off in return for an autograph when the policeman recognised him as a famous reggae artist.〔Hebdige, Dick (1987) ''Cut 'n' Mix: Culture, Identity and Caribbean Music'', Routledge, ISBN 978-0-415-05875-9, p. 142〕 In spite of the subject matter – and possibly because mid-1980s radio station bosses in the UK did not understand the terms "ganja" and "sinsemilla" – the single was a Top 20 hit, selling 160,000 copies, and earned Emmanuel two appearances on BBC's flagship music programme, ''Top of the Pops''.〔〔 The record, although humorous, did have a serious aspect, in that it highlighted the way black people believe they are unfairly treated by the police.〔Kliment, Bud "(Smiley Culture )", ''Trouser Press'', retrieved 15 March 2011〕 He recorded a session for Janice Long's BBC Radio 1 show in December 1984,〔Garner, Ken (1993) ''In Session Tonight'', BBC Books, ISBN 0-563-36452-1, p. 294〕 and was featured on the covers of ''Echoes'', ''Record Mirror'', and the ''NME'' in early 1985. The success of "Police Officer" prompted a re-release of "Cockney Translation". It picked up considerable airplay on BBC Radio One and sold over 40,000 copies in total, but only reached the lower end of the UK Singles Chart.〔 His success led to an appearance at the Reggae Sunsplash festival in Jamaica in 1985.〔Steckles, Gary (1985) "Sunsplash to offer spectacular reggae", ''Montreal Gazette'', 30 May 1985, p. C-16〕
After this he signed to major label Polydor, but his work for them – including the album ''Tongue in Cheek'', and the accompanying single "Schooltime Chronicle" – did not replicate the chart success of "Police Officer". He also hosted the Channel 4 television show ''Club Mix'' in 1986 and 1987.〔
In 1986, Emmanuel made a cameo appearance in the film ''Absolute Beginners''.〔 He also featured in a television advertising campaign for online accounts by NatWest in 1986.〔''Banking World'', 1987, volume 5, p. 26〕
Culture has been identified as a major influence by later black British musicians such as DJ Luck and MC Neat, and Roots Manuva, the latter describing him as a "Britrap pioneer".〔Martin, Gavin (2001) "And this is really Neat; Garage heroes DJ Luck and MC Neat clean up in the charts", ''Daily Mirror'', 21 September 2001, p. 18〕〔Martin, Gavin (2002) "The word on The Streets ; Mike Skinner used to sell fast food, but his debut album, Original Pirate Material, looks set to catapult him to the top of the Britrap scene. Gavin Martin meets the 22-year-old live wire and hails the current explosion of home-grown rappers", ''The Independent'', 15 March 2002, p. 13〕 "Cockney Translation" was one of the choices of novelist and poet Michael Rosen when he appeared on BBC Radio 4's ''Desert Island Discs''.
In 2010, Emmanuel told ''The Guardian'' that after his career in music he began investing in diamond mining, and by 2010 had gold and diamond mine concessions in several countries including Ghana, Uganda, Liberia, Kenya, and the Congo.〔Simpson, Dave (2010) "(We gotta get out of this place: Unless you're in the Rolling Stones, chances are your pop career isn't going to last a lifetime. But there can be professional life after musical death – as assorted former performers tell Dave Simpson )", ''The Guardian'', 24 September 2010, p. 18〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Smiley Culture」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.